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PLAY UKRAINE MUSIC — Digital Philharmonic
Vesnyanka
Author: Pixabay. License: Pexels License — https://www.pexels.com/license/. Source

Vesnyanka

Веснянка

Audio: Vesnyanka

A vesnyanka is a ritual song of the spring cycle, with which girls performed rites of “calling in spring” on hilltops and by rivers. An archaic genre from pre-Christian times.

The vesnyanka is one of the oldest layers of Ukrainian folklore. In early spring (from Candlemas and especially from the Annunciation), girls would gather, walk out to hills, meadows, and glades, and sing vesnyankas — to “wake” the earth, call in the warmth, bring the sprouts forth and the birds back.

The performance was accompanied by round dances and games such as “Kryvyi Tanets,” “Kostrub,” “Vorotar.” Characteristic are the long drawn-out hukanky (calls) that carry from distant hills. Vesnyankas survive in Polissia, Volyn, and Galicia. The famous motif is “Oi, vesna, vesna, ta vesnianochka.” Contemporary performers: DakhaBrakha, Kralytsia, Bozhychi, Nina Matvienko, and Yevhen Yefremov's Zoloti Kliuchi ensemble.

Historical artifact

Vesnyanka
Pixabay · Pexels License — https://www.pexels.com/license/ · Source

Modern incarnation

Vesnyanka
Oleksiy Yeshtokyn,🌻🇺🇦🌻 · Pexels License — https://www.pexels.com/license/ · Source
Video: Vesnyanka

Cultural Versus

Historical: Vesnyanka
Pixabay · Pexels License — https://www.pexels.com/license/
Modern: Vesnyanka
Pixabay · Pexels License — https://www.pexels.com/license/

Vesnyanka

Sub-category:
folk

A vesnyanka is a ritual song of the spring cycle, with which girls performed rites of “calling in spring” on hilltops and by rivers. An archaic genre from pre-Christian times.

Historical: Second Viennese School
Леонид · Pexels License — https://www.pexels.com/license/
Modern: Second Viennese School
Леонид · Pexels License — https://www.pexels.com/license/

Second Viennese School

Sub-category:
classical

The Second Viennese School — the circle of Arnold Schoenberg and his pupils Berg and Webern, who in the early 20th century abandoned tonality and invented dodecaphony. A revolution in musical language.

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